‘Gone in the Night’ Review: Winona Ryder and the Case of the Vanishing Boyfriend

A tricky narrative requires deft execution, something that turns out to be well beyond the capabilities of “Gone in the Night.” Presented at SXSW earlier this year as “The Cow,” writer-director Eli Horowitz’s first feature has a wide-eyed Winona Ryder as a woman taken back when her boyfriend goes AWOL from a weekend getaway. What at first looks like a standard missing-person suspense tale turns out to have a more complicated agenda — but it is so haphazardly advanced and clumsily articulated, the film itself seems to be fumbling around for a cohering structure or mood. Vertical Entertainment opens the… Read Full Article